Tag Archives: Film Photography

{2017} Junkyard Film

Things have been kinda quiet on the Shoot with Personality front. A big reason for that is I had secretly done a daily photo project on film back in 2017, and it took quite some time to get all the film developed from that. But since I have finally started publishing those photos on my daily photo blog, now I can start posting more things to Shoot with Personality again!

I pretty much have to get through a backlog of photos from 2017 that either weren’t for the daily photo project or which were b-roll from that project. You will end up seeing some of that here.

Today’s post is a roll that I didn’t shoot for that project. It actually was taken with a Canon Rebel 2000 that a former co-worker of mine found in a car at a junkyard and which he gave to me. There was film in the camera, and I decided I would try to see if it was viable by shooting it. I was fairly sure that the film had expired in 2013, as there was a box of the film in the camera bag with the Rebel 2000 that was stamped with that expiration date. And I knew that the film had very likely been in extreme temperature conditions since it had been in sitting in a car for who knows how long?? So I shot the film at ISO 200 instead of its box speed (400,) and did a lot of double exposures in case the film needed more light to be properly exposed.

Incidentally, I don’t need to do a review of the Canon Rebel 2000 because I already have an homage to the Rebel 2000 I used to have.

Canon Rebel 2000 + 28-80mm kit lens
Fuji Superia 400, expired and exposed to extreme temps

{Selected Scenes}

Selected scenes from 2017, with a Canon AF35m II/New Sure Shot 

Canon (New) Sure Shot • Ilford XP2

{Getting to Know You} Yashica T4

The Yashica T4 is one of two cameras which I acquired in 2017 that I a) never expected to ever to find in a thrift shop and b) never expected to find in the particular thrift shop I did.

For those of you outside the US, you may not know that we have a large chain of thrift shops (aka charity shops) here called Goodwill. Then there’s something called the Goodwill Outlet/Warehouse. Last year, I went into a nearby Goodwill Outlet for the first time. It was CHAOS. I remember once that my brother went into the Outlet store, took one look at the disarray, and walked right back out. In those stores, there are just bins full of unsorted and non-priced items. Clothes are priced by weight rather than individually, books are 50 cents to $1.00, and most everything else is priced by the cashier when you got to check out.  During my first visit to the Outlet, I was going through bins, and my heart nearly stopped when I saw a Yashica t4. I couldn’t breathe! That’s a premium point and shoot 35mm camera! Why is it in the Goodwill Outlet?? I was SHAKEN!

Of course, there was no price on the camera, so I waited in line to get to the cash register. The cashier said “It’s $2.” I was so scared that I would get found out and have to pay $100 for it. I felt like I was getting away with something.

For a bit of background, the reason the Yashica T4 is generally so expensive is a) It has a highly sought after Carl Zeiss T* lens b) there is a fashion photographer who used this camera a lot, and it caused the camera to gain something of a cult following.

Yashica T4 specs:

  • 35mm f/3.5 Carl Zeiss Tessar lens
  • Automatic exposure
  • Shutter speeds: 1s-1/700s
  • Accepts DX-coded film, speeds 50-3200 ISO
  • Built-in flash 
  • Shooting distance: .35m – infinity (1.1ft – infinity)

Top view: power switch, shutter button, flash mode button, and self-timer

The one caveat to this deal of the century is: I put a battery in the camera, and found out that the camera’s on/off switch doesn’t work. It’s on at all times. That’s why I have dubbed it the “$2 always-on Yashica T4.” I didn’t notice until I got it home that there was a little chunk of plastic broken off one corner of the camera next to the power switch, so I’m sure that’s indicative of why the camera won’t power off. But, hey, at least it wasn’t stuck off! 

Chipped corner by the power switch

The benefit to this is that I don’t have go through the flash menu button each time I power the camera on in order to turn the flash off (which is how I usually shoot.) I just always keep it in the little leather case it came in, because being always on means the lens is always exposed (rather than protected by the built-in lens cover when the camera is powered off.)

Very 1990s leather case which was with the camera when I bought it

I put a quick roll through the camera right away to see if it was otherwise functioning. IT WAS!!! The photos weren’t that special, but I could kind of begin to see why the lens is so sought after.

 

The next roll was a fresh roll of Fuji Superia 400

Sardis, Mississippi (Smalltown, USA)

Since I knew I would only have a handful of photos from the first couple of Yashica T4 rolls to share on this blog post, I shot another roll JUST to be shared here! Only it took forever to finish because it was film that was slow (100 ASA) and it was put into the camera during the long, grey winter. I ended up having to wait for sunnier days to arrive before I could finish the film!

 

(this is hard – my Dilly has passed since this photo was taken)

 

Messy hair, don’t care

(frequent test subject)

(Full disclosure: these tulips were part of the landscaping at Taco Bell)

When a camera reaches cult status, I kind of scoff at the idea of it being THAT great. But the more photos I make with the Yashica T4, the more I kinda get the hype…the lens is really something special! So, for $2, I’d say it was a pretty good investment 😀

{Getting to Know You} Minolta Hi-matic AF2

This is the Minolta Hi-matic AF2.

I found it at Salvation Army for $5. Scratch that: when I went to be rung up at the cash register, the camera was actually $2.50 because certain items in the store were half off that day!

View of the back of the camera – you can see the flash ready lamp on the left. On the right is a window that indicates whether or not film is loaded. An orange “flag” appears in the window if film is in the camera (and loaded properly)

The little label on the back makes me laugh, with its descriptions of the “beeps” 

This is an auto focus camera from the early 1980s – one of the first of its kind! It even looks like its Minolta manual focus rangefinder brethren.

Minolta Himatic AF2 Specs:

  • 38mm f/2.8 lens with a 46mm filter thread
  • Shutter speed range: 1/8s – 1/430s (slow shutter speed “beeeeeeeeep” sounds when the shutter speed would be 1/40s or slower)
  • Ten second self-timer
  • Manual film advance, via film advance lever (I like this – auto film advance in cameras from this era was LOUD!)
  • Auto focus range: 1m-infinity (you can lock focus by half-depressing the shutter button to lock focus, then recompose before fully depressing the shutter button.)
  • Power source: two AA batteries

Normally when I get a camera, I shoot a couple of rolls with it and then write a post as a little review/share photos from those rolls (see my “Two Rolls In” series.) The Hi-matic AF2 is one of a few cameras that I picked up last year but didn’t share any results from because I needed to save the photos for different blog posts I have in the works. What I decided to do is share the shots from my test roll that weren’t set aside for other purposes, plus shoot a whole other roll to share here!

Roll #1 was Ilford XP-2, shot in May 2017

I was surprised with how sharp some of these were!

Roll #2 was Fujicolor 200, shot in April 2018

I was less impressed with this roll. I don’t know if I shot too hastily (these early auto focus cameras were easily tricked by certain subjects or lighting situations) or if the batteries needed changing, but the camera missed focus and exposure on more shots than I was expecting.

I converted these two to black and white in post-processing, because the colors in the scans were off but I liked the photos of my dearest at a baseball game with attended!

Since I wasn’t particularly happy with certain aspects of the previous roll, I went ahead and changed the batteries in the camera, loaded a fresh roll of film, and tried to pay more attention to lighting situations/whether or not the focus seemed to have locked properly.

Roll #3 was Fuji Superia 400, shot in summer-fall 2018

 

(see – the camera exposes for the sky)

I don’t think she knew I was taking her photo – but the photo is nice and sharp! 

Origami sculpture in the Memphis Botanic Gardens  

Again, the camera exposed for the sky and underexposed the rest of the scene, but I kinda like the way it looks in this shot 

For $2.50, the Minolta Hi-Matic AF2 is definitely a keeper. It may just be my particular camera, but I think it’ll benefit from not shooting the film at its intended speed. I’ll probably dial in the ASA as one stop slower (technically over-exposing the film) than box speed. And if the scene has sky in it at all, I’m going to dial it back another stop to give the scene more exposure!