Tag Archives: Cross-processed

{Mississippi Past}

Lomography Diana F+ • Fuji Provia 400F, expired in 2005 & cross-processed 

{Retrochrome}

This summer, I was given a couple of rolls of FPP Retrochrome by a Twitter friend. I couldn’t wait to try it out!

What is Retrochrome? From the Film Photography Project website:

RetroChrome is government surplus Eastman Ektachrome. Made for industrial and governmental applications…

It is meant to be shot as positive film (slide film,) but of course I had my Retrochrome cross-processed! As you can see, the results were largely yellow and green. I like it though! A lot. Besides, most of this roll was shot on a night I would call “one enchanted evening,” when I had a girls’ night out in Midtown Memphis, so I loved the feel the Retrochrome gave those photos.

My mother made an appointment for her THIRD tattoo…

Photos from a girls’ night out

One of my niece’s photo shoots

One of my recurring photo test subjects…

One of the photos I took to docuaiment my friend Kayla’s wedding invitations. I have more shots of the invites taken on film that WASN’T yellow! 

Kiev 4AM • Helios 53mm f/1.8 • FPP Retrochrome 320, cross-processed 

{Testing the Batch} Expired Fuji Sensia 200

As I explained in the “Testing the Batch” post for my expired Fuji Sensia 400, I also got several rolls of Sensia 200. Like the 400, the expiration of the Sensia 200 is also unknown to me. So I loaded a roll of it into my Lomography La Sardina and just crossed my fingers that it would be okay for cross-processing!

Double exposure

Annie <3

Double exposure featuring Arrow (R.I.P.)

Oxford, Mississippi near Christmas

Hernando, Mississippi

Motorcycle at work

Hernando, Mississippi

Senatobia, Mississippi


Cooper-Young, Midtown Memphis

Slanted view of Mallory’s stove

Lomography La Sardina • Fuji Sensia 200, expiration date unknown, cross-processed

Conclusion?

probably shouldn’t have used a camera with fixed exposure settings to test this film, since I know the La Sardina is pretty “light hungry.” But, if you love grainy, cross-processed toy camera photos, you probably LOVED these! As for the film itself, I like the results, though I will probably use my remaining stock of it in cameras that allow me to set the exposure myself.

{Testing the batch} Expired Fuji Sensia 400

Once in awhile, I’ll buy a batch of expired film. Late last year, I got a bunch of old Fuji Sensia 400 and Sensia 200, which are two slide films that haven’t been produced in at least six years. I got five rolls of the Sensia 400 and five of the Sensia 200 in this batch. I’ve written in the past about what it can be like to shoot expired film, and what factors might come into play. One of those factors is how the film was stored throughout the years since it expired. If the film has been kept in a cool, dry place, the film may suffer less from color shifts and prominent grain. In the case of this batch of expired film, the seller on eBay from whom I bought it didn’t have any information on its expiration date or how it had been stored. That’s why it was important for me to test the batch of film, so I’d know if it “worked” at all. I loaded one of the Sensia 400 rolls in my Kiev 4AM and shot it at 200 ISO to try to compensate for any loss of light sensitivity that the film might have suffered due to age/conditions of storage. Oh, and I bought the film with the intention of having it cross-processed, so that’s what I had the lab do with this roll.

Listening to my prized possession Otis Redding and Carla Thomas duet record <3

Flashback vintage store in Midtown Memphis

Mallory’s apartment

Some shots around the square in Coldwater, Mississippi

(that last one is my FAVORITE shot from this roll!

Kiev 4AM • Helios-103 53mm f/1.8 • Fuji Sensia 400, expiration date unknown, cross-processed

Conclusion?

Look, if you are shooting expired slide film and having it cross-processed, you have to expect some potentially zany results. And the Sensia 400 did not disappoint! I’m glad I’ve got a few more rolls of it to play with!

I didn’t want to put this in the “Forgotten Frames” series, because it wasn’t a roll of film that I forgot about and found years after the fact without knowing what was on the film before having it developed, but it’d been so many months between when I finished the roll and when I had it processed, I really didn’t have a clue as to what I’d shot on it! I kind of felt that the contents of the roll turned out to be a pleasant surprise.

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