Between the amount of my photographic time devoted to Amanda’s Daily Photography in 2016 and all the film from Amanda Goes to England, I had a little backlog of 2016 film that I didn’t get developed until 2017. This roll from my Lomography Diana+ was one that got put on the back burner. When I got the developed, I felt the photos practically screamed “SUMMER!” Which is appropriate since that’s when they were taken 🙂
Pinhole photo – the camera got moved accidentally midway through the exposure, which is why it looks as if it’s a double exposure
A mural in midtown Memphis that I love to photograph
The day I randomly saw the Mempops trailer
An accidental twenty-four hour pinhole exposure
(I forgot that I had left the camera there!)
The new Welcome to Coldwater sign (Coldwater, Mississippi)
I feel like I’m in “Field of Dreams”
Weekly auction in our town
I feel like this must’ve been a pinhole shot – this camera doesn’t focus closely otherwise
Flamingos at a newly-opened Memphis Zoo exhibit
Iconic Memphis Zoo entrance
Lomography Diana+ Kodak Ektar 100, expired 2011
I recently made some DIY redscale film with Fuji Superia 400 that expired in 2007 (thrift shop film!) The majority of that roll was shot at the Memphis Zoo this summer, and I honestly am in love with the results. I like to shoot my redscale film at a much lower film speed than is indicated on the film box so I get more muted tones than deep reds and oranges. I guess the age of this roll of film meant it was harder to get enough exposure to keep the shots from going red and orange, but I feel it really worked in this scenario.
My new favorite redscale photo
Kiev 4AM • Helios-103 53mm f/1.8
As I explained in the “Testing the Batch” post for my expired Fuji Sensia 400, I also got several rolls of Sensia 200. Like the 400, the expiration of the Sensia 200 is also unknown to me. So I loaded a roll of it into my Lomography La Sardina and just crossed my fingers that it would be okay for cross-processing!
Double exposure featuring Arrow (R.I.P.)
Oxford, Mississippi near Christmas
Motorcycle at work
Cooper-Young, Midtown Memphis
Slanted view of Mallory’s stove
Lomography La Sardina • Fuji Sensia 200, expiration date unknown, cross-processed
I probably shouldn’t have used a camera with fixed exposure settings to test this film, since I know the La Sardina is pretty “light hungry.” But, if you love grainy, cross-processed toy camera photos, you probably LOVED these! As for the film itself, I like the results, though I will probably use my remaining stock of it in cameras that allow me to set the exposure myself.
Maybe you’ve noticed by now that I sometimes buy batches of expired film. I had some film called Kodak Pro 400MC a couple of years ago, which expired in 1996. I LOVED it. It was some of my favorite expired film which I’ve ever used. I wished I had lots more rolls of it once I ran out! Here are some examples of that Pro 400MC batch:
(those last two were taken in London <3)
I finally decided to buy more Pro 400MC from ebay, knowing that it wouldn’t necessarily give me the same look as the other set of Pro 400MC I had, but I thought I would give it a try anyway. I got three rolls that expired in 1999 (well, I bid on five, but then the seller realized that there were only three in the box and the other two were something else. More on that another time though…) ANYWAY, I used the test roll on one of my niece’s “$5 photo shoots” on July 4, in her “photo shoot worthy” Nintendo shirt. I know some purists won’t like the way the expired film looks in these, but I kind of LOVE them. A lot.
Fuji GA645i • Kodak Pro 400MC, expired 1999
I shot the film at 200 ASA to help compensate for the age of the film, but I will probably want to do exposure compensation in tricky lighting situations, because film this old doesn’t have as much “latitude” as fresh film. I noticed that when I used the other batch of Pro 400MC I had in my GA645i, it wasn’t as well-exposed as when I used it in a camera where I set the exposure instead of the camera doing it (which is the case with the GA645i.)