Tag Archives: Cross-processed

{Testing the batch} Expired Fuji Sensia 400

Once in awhile, I’ll buy a batch of expired film. Late last year, I got a bunch of old Fuji Sensia 400 and Sensia 200, which are two slide films that haven’t been produced in at least six years. I got five rolls of the Sensia 400 and five of the Sensia 200 in this batch. I’ve written in the past about what it can be like to shoot expired film, and what factors might come into play. One of those factors is how the film was stored throughout the years since it expired. If the film has been kept in a cool, dry place, the film may suffer less from color shifts and prominent grain. In the case of this batch of expired film, the seller on eBay from whom I bought it didn’t have any information on its expiration date or how it had been stored. That’s why it was important for me to test the batch of film, so I’d know if it “worked” at all. I loaded one of the Sensia 400 rolls in my Kiev 4AM and shot it at 200 ISO to try to compensate for any loss of light sensitivity that the film might have suffered due to age/conditions of storage. Oh, and I bought the film with the intention of having it cross-processed, so that’s what I had the lab do with this roll.

Listening to my prized possession Otis Redding and Carla Thomas duet record <3

Flashback vintage store in Midtown Memphis

Mallory’s apartment

Some shots around the square in Coldwater, Mississippi

(that last one is my FAVORITE shot from this roll!

Kiev 4AM • Helios-103 53mm f/1.8 • Fuji Sensia 400, expiration date unknown, cross-processed

Conclusion?

Look, if you are shooting expired slide film and having it cross-processed, you have to expect some potentially zany results. And the Sensia 400 did not disappoint! I’m glad I’ve got a few more rolls of it to play with!

I didn’t want to put this in the “Forgotten Frames” series, because it wasn’t a roll of film that I forgot about and found years after the fact without knowing what was on the film before having it developed, but it’d been so many months between when I finished the roll and when I had it processed, I really didn’t have a clue as to what I’d shot on it! I kind of felt that the contents of the roll turned out to be a pleasant surprise.

{Late Entry} Expired Film Day 2016

Much like my late entry for #BIFscale16, I am late turning in my Expired Film Day (EFD) photos. To explain what that is, here’s a quote from the EFD website:

Expired Film Day celebrates the joys of using film whose Use-By date has (preferably long-since) passed. One of the particular pleasures of being a film-using photographer in these modern times is the abundance of expired-but-still-probably-pretty-good film on the market, found in grandparents’ attics or at thrift stores, or sourced from the freezers of pros who’ve gone digital.

Expired film can be unpredictable: if you know how it was stored, it might be easy to compensate for its age, if that’s even necessary. If you don’t, your results could range from dark, to flat, to color-shifted and beyond. Many people today say the potential unpredictability of using film is part of what draws them to it over digital; using expired film takes the existing unpredictability of using film and compounds it.

I am no stranger to expired film. I probably like using it more than I should. I didn’t have to purposely buy out-of-date film in order to participate in Expired Film Day, because my fridge’s crisper drawer is usually well-stocked with several varieties. I was actually surprised I was able to take part in EFD, which took place on March 15, because I worked 9 hours that day. I thought my best chance of finishing a roll would be to shoot a roll of 120 in my Yashica-Mat, because that way I would only need to mange to take 12 photos instead of the 24-36 photos I’d have to take if I were using 35mm instead.

The film I chose was a roll of Fujichrome 64T slide film, which I would have cross-processed by the photo lab. I don’t know what the expiration date on it is, but judging from the results I got the previous time I shot a roll from the same batch of 64T, I figured it was WELL expired and probably not stored in good conditions. The results did not disappoint, since my expectations were that the results wouldn’t be predictable!

A 1959 Ford I photographed a couple of times for my daily photo project

Child’s chair

My dog Dilly, taking a nap

Mother’s things

“Lookin’ out my back door” (sorry, had to do it)

Heels (my fave shot from this batch)

Yashica-Mat • Fujichrome 64T, expiration date unknown • Cross-processed

And there ya have it! I hope Expired Film Day is an annual occurrence from now on and that I’ll be able to participate in it in a more timely manner next time!

{Crossbird}

In rekindling my love for m42 lenses this year, I decided that I wanted another 28mm lens to round out my Fujica ST605N kit. The beauty of m42 mount cameras is that there are LOADS of lenses available for them from many different manufacturers. Lots of research and an airmail parcel from England later, I found myself the proud owner of a RMC Tokina 28mm 2.8 lens.

While it’s certainly not ideal for testing a lens’s performance, I happened to load Rollei Crossbird 200 in the Fujica for my first roll with the Tokina. And, my, the resulting cross-processed photos were colorful!

Beach theme for the auto auction’s anniversary sale this year

Mustang Cobra with flame paint job

Motorcycle

Flames

More beach themed decor

Vespa (it’s actually grey)

Car dealership waiting area

Chevy Deluxe coup

’69 Chevelle Malibu (also seen here)

Family dinner at Avellino’s

Snapping some wide angle shots around Coldwater, Mississippi

Fujica ST605N • RMC Tokina TL 28mm/2.8 • Rollei Crossbird 200

{64T} GA645i

Last year, I bought a few rolls of Kodak Ektachrome 64T that expired in 1997. It’s a slide film, and the “T” means the film is balanced for tungsten lighting.  I bought the 64T with the express purpose in mind of having it cross-processed. I had only shot one roll of the 64t so far, and it had been in my Yashica-Mat (there are a couple from that same roll in an epilogue-ish post on my Amanda Goes to England blog.) I’d been itching to shoot another roll of this, but,  as I mentioned, this particular 64T expired in 1997. Film can some of its light sensitivity powers as it ages, so I shot this (and the previous roll) at 50 instead of 64. That meant I needed plenty of light to get proper exposures. Which is why I waited around until spring before I gave another roll of 64T a try! This time, though, it HAD to be in my lovely GA645i. HAD to be!

I knew this would be the most perfect cross-processed 64T shot I’d ever taken. And it is.

Springy

The rope that’s been photographed on almost every roll I’ve taken this year…

The focus isn’t where I’d intended it to be on this one, but there’s something I love about it anyway.

Wyatt’s haunches

I love the lattice design at the bottom of my sister’s porch

I’ve photographed Wyatt quite a bit lately…

Fuji GA645i • Kodak Ektachrome 64T, expired in 1997, cross-processed, shot at 50 ISO