Tag Archives: Two Rolls In

Nikon N80 {Two Rolls In}

This is basically going to be a dual review of both the Nikon N80 and the Sigma Super Wide II 24mm/2.8 lens…

I like to call the Nikon N80 “The Camera Who Waited.”*

 

These beauties: Nikon N80 and Sigma Super Wide II

When I first became interested in photography, I used to thumb through the camera store ads in the backs of photography magazines. I could never afford any of the cameras listed in those ads, so it was like window shopping or daydreaming for me. One camera that I really REALLY wanted though was the Nikon N80. It cost hundreds of dollars, and all I could afford was a $50 Ricoh Singlex TLS.  Now, all these years later, here is one more instance when I’ve benefited from the “demise” of film photography.** I have been able to obtain a camera I wanted, but which was out of reach for many years, at a price so low that it was downright obscene!

The reason I say this is “The Camera Who Waited” is because I bought the camera body in June 2013. I did not buy a lens for it until October 2013. Immediately, I began kicking myself for selling my N8008 with a 50mm/1.8 attached to it in 2012 – having that lens would have kept this camera from “waiting” so long! I did a lot of research as to the first lens I’d like to have for my N80 and bided my time until just the right one presented itself. I thought I’d skip buying another 50mm at the moment and go for my favorite wide angle focal length instead. I chose the Sigma Super Wide II 24mm/2.8 lens. I liked the results I’d seen from the lens around the internet and was intrigued by the len’s macro abilities.

About the Nikon N80:

It’s the fanciest film SLR I’ve ever owned, so there are lots of features I could detail here. There’s a whole series of custom settings you can dial in. One thing that I love and immediately turned on were on-demand grid lines. It’s an awesome feature for me, because I feel like I am bad at getting photos straight when using wide angle lenses (such as the 24mm I’m using on the N80.) Grid lines really help with that!

Roll #1 was expired Fuji Superia X-tra 400

Testing the macro on this TINY slice of a vegan mini pear pie I’d made. If you can fill the frame this much with a 24mm lens, you KNOW it truly focuses close up!

THIS! This right here. This shot made me say, “Yup. This lens is a keeper.”

Why all the photos of a tree stump? 1. Testing the Sigma’s macro abilities again 2. I didn’t know how else to document/convey the destruction our power company left behind when it gutted a section of my family’s property to put in power lines for a new neighbor. It was devastating to unexpectedly come home to this.

An impulse purchase the same week I got the Sigma Super Wide II

The mini pumpkin I painted back at Halloween. Pre-paint can been seen in my Konica Big Mini review.

My sister’s black and gold “ombre” mini pumpkin


Twig we used as a stir stick for paint my niece used on her pumpkin

Roll #2 was Kodak Gold 200

Christmas tree in one of the offices at work. Really close focus for a 24mm lens!

Normally these photos would have gotten a blog of their own, but as this roll was part of my testing the N80, here are some “bonus” photos from my Jobes-Shields family shoot at Christmas:

Ezra and some stuffed animals. Love the fox one!

I actually cropped this one because I thought it was cuter this way 🙂

Lionel, Lisa, and Rob (baby, mommy, and daddy)

(I know this one has motion blur, but I love it!)

I COULD NOT get enough of the “Lionel asleep with his bunny” photos!

Pretty cardinal ornament my mother had on her mantel at Christmas

Shiny new coffee maker for Christmas!

Riding to Pho Hoa Bihn with Mallory

Lovely, lovely tofu with pineapple at Pho Hoa Bihn

And those were the first two rolls with my Nikon N80 and Sigma Super Wide II lens!

Conclusion?

LOVE it. Love the camera. Love the lens. The Nikon N80 is the quietest SLR I’ve ever used. You can barely hear the shutter/mirror action at all! And the lens, while a little noisy itself, yields such beautiful results! I mentioned earlier in this post that 24mm is my favorite wide angle focal length. I’m also addicted to taking “details” shots, so having a wide angle lens with the ability to focus down to about 7 inches is a real winning combination for me. I can’t wait to further test both the N80 and the Sigma Super Wide II (and get MORE lenses for the camera!) I’m sold!

*This is a Doctor Who reference. If you get it, you get it. 

**I say “demise” of film photography in jest. I and all the other film photographers are making out like bandits while people sell off their film gear cheap as chips! If you ever want to see how “alive” the film photography community is, just go search the hashtag #believeinfilm on Twitter!

{Two Rolls In} Konica Big Mini

So the Konica Big Mini. Here’s how I came to own this camera:

I WON IT FROM A BLOG GIVEAWAY!

Urban Hafner was giving away three Konica Big Mini cameras through his photography blog. I was so happy when I awoke to a Tweet saying that I was one of the three winners.  A couple of weeks later, I had my prize package from Germany!

Urban sent me the Konica Big Mini, a roll of film, and an awesome postcard of one of his photos

About the Konica Big Mini:

  • The Big Mini is an auto focus, auto exposure compact 35mm camera
  • 35mm f/3.5 lens
  • Automatic shutter speed range of 3.5s – 1/500s
  • Automatic aperture range of f/2.5 – f/16
  • It’s a slick little thing, with a recessed lens that zooms out when the power switch is turned on.
  • There are menu buttons on the back that allow you to select flash modes, exposure compensation, and self-timer.
  • Flash modes are: auto flash, flash on, flash off
  • When “flash off” is selected, you can also choose exposure compensation: +1.5 or  -1.5
  • Automatic slow sync flash  when “flash on” is selected in low light situations.
  • Self timer is 10 seconds long, with a red indication light on the front of the camera.
  • Automatic close-up mode, which focuses between 13.78 in. (35cm) and 23.62 in. (60 cm.)
  • Date/time imprint available (and goes all the way up to the year 2019! This camera came out in 1990…)

Roll #1 was the Rossman 400 film Urban included with the camera

Mini pumpkins, before we painted them for Halloween

My niece decorating her pumpkin

Lunch with me mum

This is a kiosk my family’s catering business owns and our clients decorated with a patriotic theme

A very rainy day

I don’t know why I always take pictures of dead birds. There’s one on this camera review post, too.

Trying to soothe a sore throat with a cup of tea one afternoon

Roll #2 was my old faithful favorite film, Kodak BW400CN. I took roll #2 before I saw the results of roll #1, so take that for what it’s worth.

I actually used +1.5 compensation for this, and it still came out quite underexposed

The angle on this looks kind of zany, but I kind of like it! (and probably a result of parallax problems)

This must have been the day I was testing out my Keystone Everflash to see if it was still working (it was)

My sister’s wall decor

After we had a bit of ice fall in Memphis

Christmas pressies under the tree

Globe

Visiting Mallory. I love photographing all the cuteness in her house.

Thoughts on the Konica Big Mini?

  1. I usually like my compact 35mm cameras to have f/2.8 maximum apertures, but the f/3.5 on the Big Mini wasn’t as problematic as I’d thought it’d be. Decently shallow dept of field was achievable at closest focusing distances!
  2. All things being equal, the lens is pretty darn sharp!
  3. The main issue I see with this camera is that the exposure system is easily fooled. I felt like the +1.5 exposure compensation was needed for a lot of the photos, even ones that weren’t really backlit.
  4. Hamish over at 35mmc.com reported problems with the focusing system in a specific situation, but I haven’t encountered that so far (since I haven’t exactly been to the beach with my Big Mini!) If I’ve had any troubles achieving correct focus, it’s probably been due to the fact that I usually push the limits of the close-up feature.
  5. I’m a bit scared of the lack of a lens cover. I predict that, even handling the camera with kid gloves and trying to store it properly, I’ll have dust in the lens.

I actually enjoyed learning to use the Big Mini and will continue to do so. When it’s good, it’s VERY good!

Big thanks to Urban for giving me this camera! Please visit his website and then maybe buy postcards of his work! (The postcards are VERY high quality and awesome!)


I’m going to try this thing where I don’t review a camera on the SWP blog until I’ve used it for two or three rolls. Because a review really can’t be all that complete if you’ve only used a piece of photographic equipment for one roll of film! And this post was the first of the “Two rolls in” series.

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