Category Archives: Informational

{Getting to Know You} Sears 35rf

I really like it when I find a camera at a thrift shop that I’d never heard of before.

(this photo was taken with another 2017 thrift shop find: my Yashica T4)

I’ll set the scene for you:

I was making my weekly thrift shop run and about to call it quits when I saw saw this camera on a shelf in the paltry electronics section of a particular store that usually doesn’t yield many “finds.” It was so tiny that I couldn’t believe it was actually a rangefinder, even if “rf” was part of its name!

But it was $6.59. I decided that I really didn’t need to buy the camera since I’d spent $3 here and there on random point and shoot cameras throughout the course of 2017 and was feeling pretty guilty about that. Like, had I not bought those silly cameras, I could have this one. So, I left it.

I left the store, drove down the road to go home, regret set in, and I turned back around to get the camera.

Success!!

It even came with its original case, with the stylized “SR” ( Sears and Roebuck) butterfly logo. I accidentally shot case upside down though, so I inverted the logo separately so you could see it  😀

Some of Sears 35rf’s specs:

  • Rangefinder focusing (.9m/3ft – infinity)
  • 40mm f/2.8 lens
  • Shutter-priority auto exposure and manual exposure 
  • Shutter speed range from 1/500s-1/8s, plus Bulb
  • Aperture range of f/2.8-f/16

In a move thoroughly unlike me, I immediately set about replacing the foam light seals. They were such a gunky mess that I figured I might as well get it over with.

In the meantime, I found out a little about the camera. It’s a rebranded Ricoh rangefinder (500 series.)

I shot a very quick test roll to see if I had done an okay job with the seals and if everything was functioning well mechanically too. I got it developed right away (also unusual for me as of late.)

I shared these on Flickr and Instagram (because I wasn’t sure when I’d put together a blog post for it here!) But hey, everything looked fine for the light seals and the camera seemed to be functioning fine!

(Shot on Fuji Superia 400)

I fell in love with this camera as soon as I saw the results from my test roll. I even took it on family vacation with me a few weeks after I got it. Here are some of the photos from that trip that I originally shared on my blog post about our vacation.

(Shot on Fuji Superia 400)

When I got home from vacation, I finished up the roll of Kodak Ektachrome 320T that I’d started shooting on vacay. Here are some of those photos (and these haven’t been shown anywhere before now!)

(Shot on expired Kodak Ektachrome 320T, cross-processed)

Then, I loaded the camera with the roll of JCH Streetpan I’d been holding onto for awhile. The results made me turn into the heart eyes emoji!
(I also haven’t shared any of these photos online previously 😉 )

(Shot on JCH Streetpan 400)

I LOVE the Sears 35rf. I cannot believe I was blessed to find it that day in a thrift shop that rarely yields any scores. The camera’s lens is nice and sharp, it’s little (though not so lightweight since it’s mostly made of metal,) and it’s now a prized member of my camera collection <3

{Getting to Know You} Mamiya M645

This was an “oops, I did it again moment.”

Last year, I bought a Mamiya M645.

I once extolled the virtues of another 6×4.5 medium format SLR I owned- the Bronica Etrsi. I’d found The One! Then I let it slip through my fingers. I sold the Bronica to a friend on Twitter who had been eyeing one. I have to say that I regretted letting it go…

Maybe I should have righted the wrong and bought another Bronica, but I decided to go in a slightly different direction by getting a Mamiya M645.

Some differences and similarities between the Bronica and Mamiya:

  • Film backs: The Bronica allows you to change film backs (and, therefore, film types/speeds) mid-roll. A Mamiya M645 does not, though you can get extra film inserts to pre-roll with film so you can change film quickly once you finish a roll. I liked the idea of changing film backs, but, in reality, I didn’t really do it with the Bronica often. And carrying multiple film backs was just one more thing to keep up with.
  • Construction: The Bronica is largely constructed of plastic. Not so for the Mamiya M645, which means the latter is more hefty than the former (weight of camera gear is a significant factor for a lot of people.)
  • “Grip” options: I had a speed grip for my Etrsi, which allowed it to function almost like an overgrown 35mm SLR (you can see photos of that set up in the blog post I linked earlier in this one.) It allowed the shutter to be triggered with a button on the grip rather than the one on the camera, and film was advanced with an advance lever instead of a crank. All this is done on the right side of the camera. I do not have a grip for my Mamiya (yet?) I have been reluctant to try one for that camera, because its grips are left hand grips. I have felt dubious about that because I’ve felt that it might feel awkward to have the shutter button/film advance on the left side. I don’t know…it doesn’t appeal to me. I might try one eventually, because handling the camera without one is sort of like holding a cube!
  • The shutter types are also different between these two cameras (Bronica: leaf shutter in the lens, Mamiya: focal plane shutter.) I won’t go too much into the differences here, except to say that for my style of shooting, the differences really don’t matter all that much to me!
  • On the subject of shutter speeds, the ETRSi and M645 have the same shutter speed range: 1/500s – 8s, plus Bulb
  • Multiple exposures possible on both. I used this often on the Mamiya, not so much on the Bronica. (I wasn’t that into multiple exposures when I had the ETRSi)
  • Mirror lock-up on both (to reduce vibration during certain types of exposures.) Not that it was a feature I utilized often, but mirror lock-up on the ETRsi is more tricky than the M645 because, on the Bronica, putting the mirror back down fires the shutter. To avoid wasting a frame of film, you need to take the film back off, return the mirror to the down position (which fires the shutter,) flip the multiple exposure lever to activate that “mode,” then put the film back on again, take your next photo, flip the multiple exposure lever to exit, and finally advance the film. That’s A LOT. With the M645, you just flip the mirror lock-up lever to return the mirror to its down down position and move on with your life!

One reason I took the plunge and purchased the Mamiya M645 is that I got it for a song…seriously, it was a price that made the choice feel like it wasn’t much of a risk. I bought the body and lens (80mm f/2.8, the standard lens) then purchased the prism separately to complete the kit.

The format of this blog post is unlike most of my camera “reviews,” but it’s because I went about trying “new” cameras differently last year, so the posts I write about the cameras are different too! Side note: I only have limited photos from the first two rolls I took with the Mamiya, because most of those photos are allocated for different projects (which I keep alluding to on here…I’m promise all will be revealed as soon as possible!)

Roll #1: Fuji Provia 400F, expired in 2005, cross-processed (June 2017)

First frame! This is of a Russian wooden box I’d gotten at a thrift shop. 

Elderflowers

Roll #2: Ilford FP4+ (June/July 2017)

So I’d had those two rolls developed (though I have shot another that hasn’t been developed as of yet.) I decided I needed to go ahead and replace the badly deteriorated light seals. The following photos were from my post-light seal replacement test roll (looks like they worked!) I can share all of the results from this roll because, well, they were just for this blog!!!

Film: Lomography Color Negative 400 (April 2018)

I will say that I don’t feel as if I bonded with the M645 as quickly as I did my Bronica ETRSi, but I also have had my {camera} attentions divided this last year, so I haven’t invested as much time getting to know the Mamiya as I should have. When I do pick it up to use, I really enjoy the experience though! I mentioned that handling the camera without a grip attached is like holding a cube, but it’s not been as awkward in practice as it sounds.  I hope that, with time, I will also get to add another lens or two to my M645 kit – there’s a drool-worthy 80mm f/1.9 available for it that I’d LOVE to try! Not to mention a wide angle lens would be nice too.

Fujica ST605N {Two Rolls In}

This could be subtitled “I got my mirror self-portrait mojo back”

As I mentioned in a previous blog post, I am trying to get back into shooting m42 cameras/lenses. In the aforementioned blog about my Praktica MTL 5, I told of a “jumpy” meter needle that didn’t make me feel very secure about its readings and said I’d actually bought another m42 body after shooting that roll with the MTL 5. The second m42 body I bought was a Fujica ST605N.

Just as with the MTL 5, there isn’t much to say about the features on the ST605N. They’re both pretty basic cameras. The film speed selector goes from to 25-3200 ASA. Shutter speeds are 1/700s – 1/2s, plus bulb. However on my Fujica, the slowest two speeds, 1/4s and 1/2s are inaccurate. This is no big deal, as I very rarely use those shutter speeds anyway. One of the Fujica’s selling points for me was the fact that it takes batteries that are much easier to find than what the Praktica takes. Battery availability is one of the main reasons I bought this camera.

Shutter speed dial on top, with shutter speeds from 1/700s – 1/2s, plus B. Film speed selection is within the shutter speed dial.

It’s not lightweight, but I do like how much more compact the Fujica is compared to the Praktica.

This is kind of a strange thing to like, but I really like the little button that activates the meter/stops the lens down! Most other cameras of this ilk have a lever (as the MTL 5 does) that you press to turn the meter on. I like both the way the round button on the Fujica looks and the way it feels. It’s pleasant, I guess.

Little round meter activation button

Another thing I like is that the Fujica has a shutter speed indicator in the viewfinder. I don’t believe I’ve ever had an m42 body that’s had that feature, but it’s pretty handy and reminds me a bit of my beloved Nikon FE’s viewfinder.

Now, to the photos. As I always say, camera bodies are just vehicles for lenses and lenses are the thing that determine image quality. But inaccurate shutter speeds or a faulty meter can ruin photos taken with even the best lens. So when I am testing a “new” camera body, I’m really testing the shutter speeds and the meter (where applicable.) The Fujica’s meter seems just fine! I was shooting some of my expired Kodak High Definition 400, so I dialed in a film speed that was a little slower than 400 to help compensate for potential stop loss of the expired film.

Roll #1 was Kodak High Definition 400, expired in 2011

Chevy Camaro, Hennessy edition in the auction bay at work. I heard a really interesting story while I was taking these photos that maybe I’ll tell you one of these days. 

Me in the beauty shop the day Rachel gave me “fancy hair”

“The new Sunday dinner” – we stop and get Popeye’s, and I get a biscuit and an ear of corn. I use agave nectar instead of the “honey sauce” (it’s not honey) that Popeye’s gives you for the biscuits. 

Hope you aren’t tired of Wyatt’s photos yet!

Sunday dress

Ewwwww

There were already way too many photos of my new favorite book on my Instagram feed, but here’s another one!

Afternoon coffee and readin’ The Scarlet Letter

Roll #2 was Ilford HP5 Plus (and outshines the color roll IMHO)

Chevelle at work

Coffee out on my aunt’s deck in Texas

Some shots using a macro extension tube on the Fujinon lens

Some sweet little champagne coupes I got at Goodwill recently

Sundress days

Memorial Day at Huddle House

Boop

“The day my Vans arrived”

Vans mirror self-portrait

Hey

Eureka theatre, Batesville, MS (color images taken that same day in Batesville, coming soon)

Photos taken with Fujica ST605N, mostly with a Fujinon 55mm/1.8 lens, though a few were with a Sears 28mm/2.8 lens

Conclusion:

I really like this Fujica! I have had so many different m42 cameras over the years, and this is definitely one of my favorites. And I’m still likin’ my Fujinon 55mm/1.8. I wish I’d not gone through the frustration and cost of having a Praktica with a weird meter before getting the ST605N, but “God bless the broken road that led me straight to you” 😉

{Hacked} Konica Big Mini

Though I feel as if I’m cheating on my Olympus Stylus Epic by saying this: I quite like the Konica Big Mini I won from a blog giveaway some time back. It’s not perfect. I don’t like how the lens has no proper cover. And it is SO LOUD, but the lens is really good. I’ve always felt like the Big Mini has a tendency to underexpose a little. Though it has a very handy +1.5 exposure compensation, I find I need to use that exposure compensation just to get a proper exposure under normal circumstances. That means that I don’t have the option to add more exposure in backlit situations, since I’m already having to employ the exposure compensation in most usual lighting circumstances. With my most recent Big Mini roll, I decided to get a little clever: I hacked the DX code on the film I was using so the camera would think I was shooting ISO 250 instead of 400. In other words, I tried to take care of the slight underexposure tendencies the camera exhibits so I would only have to use the +1.5 compensation when I actually needed it. And you know what? I’m very glad I did that!

I spent my spring trying to relax with coffee and my favorite plaid throw in the afternoons.

Dressed up for my meeting with the soon-to-be married Jessica and Dustin. Testing the Big Mini’s mirror self-portrait abilities. 

Cup of coffee at Muddy’s Grind House when I met with Jessica and Dustin there.

Some interior shots of the Grind House – I think the camera did a great job on the “Mon Cheri” cupcake shot!

The other thing I like to do: self-portraits in reflective surfaces that aren’t actual mirrors.

I left my meeting with some minty brownies, one of my favorite Muddy’s treats! 

The general manager of the auto auction had this truck turned into a fake rat rod

Sneaky mirror self-portrait! Hey! 

Hello again. Sorry for all the pictures of myself. I’m just trying to recapture my long-held tradition of self-portraits on film.

Konica Big Mini • Kodak High Definition 400, shot at 250

I think the film with the hacked DX worked out great in the Big Mini. But isn’t that a lot of trouble to go to whenever I shoot this camera? I probably won’t cheat on my Stylus Epic too often…

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