Tag Archives: Lomography

{Testing the Batch} Expired Fuji Sensia 200

As I explained in the “Testing the Batch” post for my expired Fuji Sensia 400, I also got several rolls of Sensia 200. Like the 400, the expiration of the Sensia 200 is also unknown to me. So I loaded a roll of it into my Lomography La Sardina and just crossed my fingers that it would be okay for cross-processing!

Double exposure

Annie <3

Double exposure featuring Arrow (R.I.P.)

Oxford, Mississippi near Christmas

Hernando, Mississippi

Motorcycle at work

Hernando, Mississippi

Senatobia, Mississippi


Cooper-Young, Midtown Memphis

Slanted view of Mallory’s stove

Lomography La Sardina • Fuji Sensia 200, expiration date unknown, cross-processed

Conclusion?

probably shouldn’t have used a camera with fixed exposure settings to test this film, since I know the La Sardina is pretty “light hungry.” But, if you love grainy, cross-processed toy camera photos, you probably LOVED these! As for the film itself, I like the results, though I will probably use my remaining stock of it in cameras that allow me to set the exposure myself.

{Diana + Tri-X} 2.0

I couldn’t resist loading the Diana up with Tri-X again, after the results of the last roll. I also wanted to practice doing more pinhole photos, since I really want to get a certain 3D printed pinhole camera this year.

Como, Mississippi

Pre-zoo Pei Wei

Double exposure at the Memphis Zoo’s new Zambizi River Hippo Cam

Pinhole exposure, 6 seconds while taking a snack break at the zoo

FOUR HOUR pinhole exposure!

Pinhole exposure, 10 minutes

Variation of a shot I tried on Instax for my daily photo project

Double exposure in Como, Mississippi

Coin laundry in Como, Mississippi

 I was worried about this roll, because when I opened the back to take the film out, the roll was “fat.” Meaning it wasn’t tightly wound onto its take-up spool, and the top and bottom of the film would probably be fogged by light. When that happens, I try to get the film into a light-tight place until I can get home, where I can go into completely dark room (usually the closet) and re-roll the film more tightly onto the spool. I don’t know if this “fat roll” of Tri-X wasn’t problematic because I had unloaded the film in light that was subdued, or if you just can’t tell it’s fogged because it’s black and white film, but I was so happy when I got my scans back and the shots weren’t ruined!

{Lomo Instant Wide} Introduction

Please allow me to introduce you to the Lomo’ Instant Wide. Hold onto your seats, because this will be a lengthy introduction!

It’s quite a camera and an unexpected addition to my collection.

When I first read about the upcoming release of the Instant Wide, I winced at the price, but I really got a bee in my bonnet about owning one! Lomography was selling it via pre-order, with shipment expected by Christmas. I kept going back and looking and thinking “Can I do this? I can’t do this! But can I?” I got an itchy trigger finger one October day because I just got a feeling in my bones that I was supposed to have this camera (hey! It happens!) I immediately got buyer’s remorse. It was a chunk of money! But here was my justification: I have been wanting a better Fuji Instax Wide camera for YEARS because I love the format but hate the available cameras for it. The hope was that Fuji would put out a better Instax Wide. Doesn’t look like we should hold our breath waiting for that to happen.

Before I can really get on with the Instant Wide review, I need to address what I mean by “better Instax Wide camera.” Basically, the readily available Fuji Instax Wide cameras left a lot to be desired. I have owned an Instax Wide 200 since about 2005, which had to come from England and film wasn’t available in the US for it at that time. Even once the film was easily found here, I just didn’t use the Wide 200 very often because it had so many limitations. It was auto exposure only. There was no ability to turn the flash off (though you could force the flash to fire.) There were only two focus settings which left a lot to be desired for versatility. The Wide 200 was an older model of the Instax Wide camera, but even the subsequent models weren’t really improvements over the 200.

Now, what features did the Lomo Instant Wide offer that piqued my interest? Here are the camera’s tech specs from the Lomography site, and I’ll bold the things that got their hooks in me:

  • Lens Focal Length: 90mm (35mm equivalent)
  • Auto exposure type: Programmed Automatic
  • Aperture: f/8, f/22
  • Shutter Speed range: Bulb (Bulb Mode), 8s-1/250 (Auto Shooting Mode), 1/30 (Fixed Shutter Speed Mode)
  • Exposure Compensation: +1/-1 Exposure Values (Ambient)
  • Ejection Mechanism: Motorized
  • Multiple Exposures: Yes
  • Built-in Flash Guide Number: 13 (m)
  • Built-in Flash: Automatic Electronic Flash & Flash Off Mode
  • Closest Focusing Distance: 0.6m (0.1m with the Close-Up Lens)
  • Zone Focusing Setting: 0.6m / 1-2m / infinite
  • Tripod Mount: Yes
  • Remote control transmission: Infrared
  • Battery Supply: 4 x AA batteries (4 x 1.5V)
  • Filter Thread: 49mm

Again, straight from the Lomgoraphy site, here’s what was in the box:

  • Lomo’Instant Wide Camera (Central Park edition, in my case)
  • Colored Gel Filters (four of them)
  • Lomo’Instant Wide Ultra Wide-Angle Lens Attachment and Viewfinder
  • Lomo’Instant Wide Close-Up Lens Attachment
  • Lomo’Instant Wide Splitzer
  • Remote Control Lens Cap
  • Shooting Technique Cards
  • Instruction Manual
  • Bonus accessory: Lomography Light Painter, a special gift for pre-order customers
  • Bonus accessory: An additional four colored gel filters for the flash, a special gift for pre-order customers
  • Bonus accessory: Camera strap, a special gift for pre-order customers

I received the Instant Wide in December, as promised. I knew the camera would be large, based on the size of my Fuji Instax Wide camera, but, WOWZA! It’s big!

What was in the box (minus the tip cards) with my Central Park Edition camera

Tip cards: example photos taken with the Instant Wide, with info about settings/accessories used on the back

Close-up accessory

Ultra wide-angle accessory

The best, most useful accessory for the Instant Wide: the lens cap that is actually a remote control. You use the instant side to snap a photo instantly (duh) and the time side to hold the shutter open for up to a minute in Bulb mode.

Controls: flash on/off button, multiple exposure button, exposure compensation button, on/off/auto/bulb/fixed shutter speed selector

Where the picture is ejected after you take a photo

You’re supposed to be able to use the shiny silver circle to help compose self-portraits (fine: selfies!)

All cameras that use Instax film (wide or mini) are easy to load because there’s a yellow mark on the camera that corresponds with a yellow mark on the film cartridge, so you’ll know which way to insert it.

The light painter tool in use

One of the colored flash gels inserted over the flash

The only reason you might feel like this camera is heavy is because it’s powered by four AA batteries. Otherwise, the camera’s pretty lightweight.

I don’t know if Lomography does their product releases in December because they want people to give their new releases as gifts or because the winter holiday season is rife with photographic opportunities. Okay, it’s probably the former but the latter turned out to be true for me. I really liked having the camera put in my hands during a time of year when I would have good reason to take a lot of photos.

First shot! I’m in love!

Close-up attachment focuses at 10cm (about 4 in.)

My mom’s flawless accessories (much better in person rather than in the digital photo of it)

Arm-length self portrait

Bulb mode + flash + moving the camera in circles during the exposure

Another close-up accessory success – my eyes turned to hearts when I saw this shot

It’s underexposed, but I like it (close-up accessory used, of course)

Tried the ultra wide-angle accessory. Focusing guidelines given in the camera’s manual didn’t steer me correctly here.

The only time using the ultra wide-angle accessory worked okay. I have more work to do to figure it out.

Quick grab-shot of my mother’s earring, with the close-up accessory <3

Close-up of fabric. Textural. 

Attempted double exposure. It looks…ethereal?

Never taking the close-up attachment off this thing

Street art in Oxford, Mississippi

The Lyric venue in Oxford

Breads on display at Bottletree Bakery in Oxford

Uncomfortably close-up shot of a pastry from Bottletree Bakery in Oxford

Patio table outside a business in Oxford

Shop window in Oxford

City Hall Christmas Tree in Oxford

I can never resist the red phone booth (from England) that’s in Oxford
(Weird lens flare in this photo has been experienced by other Lomo Instant Wide users)

Shop window in Oxford

Me, standing outside Square Books in Oxford

Dress outside a clothing shop in Oxford. Reminded me of something Lady Mary would have worn near the end of Downton Abbey 🙂 (the 1920s)

My Lomography La Sardina on a table outside a business in Oxford

Santas and angels under the Christmas tree at my brother and sister-in-law’s house

My nephew Braeden and the beard I crocheted him for Christmas 🙂

Christmas tree at my brother and sister-in-law’s house

My niece Anna Marie in the Dragonball Z shirt I got her for Christmas

Yours truly, in the crown from my Christmas cracker 

My swirly ring (close-up attachment used)

Listening to my original Stax record “King and Queen” by Otis Redding and Carla Thomas

Last shot in my four pack test run for the Lomo Instant Wide (when I did this for my 365 project)

So. 

Thoughts? Likes? Dislikes? Conclusions?

I think this is a really interesting camera. And it better be for the price tag it carries! I am not into the “Lomography” look of blurry, soft-focus, or wacky looking photos. For the first four packs of film in the Lomo Instant Wide, I didn’t really find it to have those qualities. I wish the ultra wide-angle accessory hadn’t turned out to be so difficult to use correctly. I plan on doing some focusing tests with that accessory attached, but I really shouldn’t have to. I have found that even setting the exposure compensation to -1 for both shots, I have gotten terrible results trying to do double exposures outdoors. The photos have turned out so overexposed that there was virtually nothing on the frame of film after it developed. I also find that the camera is leaning toward overexposure in general if it’s used outdoors and sometimes even indoors. It’s frustrating!

The most advanced Instax Wide camera that Fuji itself has produced, the Instax Wide 500AF, has no where near the features and controls of the Lomo, but I have seen comparison photos taken, and the Fuji definitely wins in the sharpness department. But I see a lot of potential for the Instant Wide. I hope I can make the most of it and create some worthwhile images with it. I’ll keep you guys in the loop though 😉

“We Can Pinhole That”

I have mentioned in the past that I don’t have a lot of experience with pinhole photography, but I try to do a pinhole exposure on each roll I shoot with one of my Diana F+ cameras (they have a built in pinhole.) My pinhole photography friends post photos to Instagram with the tag #wecanpinholethat, usually of their camera set-up while they are making their exposure (holla, Moni!) I did the same when I made my most recent pinhole exposures, posting the photos to Instagram. I thought I’d bring those photos over here and show them along with the actual photo I made with the Diana F+. As usual, I metered using a handheld meter, then used Mr. Pinhole to find the right exposure time.

Pinholing, in progress:

Resulting pinhole photo:

Exposure time, approximately 22 seconds

Pinholing in progress:

Resulting pinhole photo:

Exposure time, approximately 1 hour 50 minutes

Diana F+ Kodak Pro 400MC, expired in 1996

I have been surprised at my good luck at getting good pinhole shots with my Diana. I’ll have to start doing more of them, maybe even an entire roll of pinhole photos one day!

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