Tag Archives: Camera Test

Nikon N80 {Two Rolls In}

This is basically going to be a dual review of both the Nikon N80 and the Sigma Super Wide II 24mm/2.8 lens…

I like to call the Nikon N80 “The Camera Who Waited.”*

 

These beauties: Nikon N80 and Sigma Super Wide II

When I first became interested in photography, I used to thumb through the camera store ads in the backs of photography magazines. I could never afford any of the cameras listed in those ads, so it was like window shopping or daydreaming for me. One camera that I really REALLY wanted though was the Nikon N80. It cost hundreds of dollars, and all I could afford was a $50 Ricoh Singlex TLS.  Now, all these years later, here is one more instance when I’ve benefited from the “demise” of film photography.** I have been able to obtain a camera I wanted, but which was out of reach for many years, at a price so low that it was downright obscene!

The reason I say this is “The Camera Who Waited” is because I bought the camera body in June 2013. I did not buy a lens for it until October 2013. Immediately, I began kicking myself for selling my N8008 with a 50mm/1.8 attached to it in 2012 – having that lens would have kept this camera from “waiting” so long! I did a lot of research as to the first lens I’d like to have for my N80 and bided my time until just the right one presented itself. I thought I’d skip buying another 50mm at the moment and go for my favorite wide angle focal length instead. I chose the Sigma Super Wide II 24mm/2.8 lens. I liked the results I’d seen from the lens around the internet and was intrigued by the len’s macro abilities.

About the Nikon N80:

It’s the fanciest film SLR I’ve ever owned, so there are lots of features I could detail here. There’s a whole series of custom settings you can dial in. One thing that I love and immediately turned on were on-demand grid lines. It’s an awesome feature for me, because I feel like I am bad at getting photos straight when using wide angle lenses (such as the 24mm I’m using on the N80.) Grid lines really help with that!

Roll #1 was expired Fuji Superia X-tra 400

Testing the macro on this TINY slice of a vegan mini pear pie I’d made. If you can fill the frame this much with a 24mm lens, you KNOW it truly focuses close up!

THIS! This right here. This shot made me say, “Yup. This lens is a keeper.”

Why all the photos of a tree stump? 1. Testing the Sigma’s macro abilities again 2. I didn’t know how else to document/convey the destruction our power company left behind when it gutted a section of my family’s property to put in power lines for a new neighbor. It was devastating to unexpectedly come home to this.

An impulse purchase the same week I got the Sigma Super Wide II

The mini pumpkin I painted back at Halloween. Pre-paint can been seen in my Konica Big Mini review.

My sister’s black and gold “ombre” mini pumpkin


Twig we used as a stir stick for paint my niece used on her pumpkin

Roll #2 was Kodak Gold 200

Christmas tree in one of the offices at work. Really close focus for a 24mm lens!

Normally these photos would have gotten a blog of their own, but as this roll was part of my testing the N80, here are some “bonus” photos from my Jobes-Shields family shoot at Christmas:

Ezra and some stuffed animals. Love the fox one!

I actually cropped this one because I thought it was cuter this way 🙂

Lionel, Lisa, and Rob (baby, mommy, and daddy)

(I know this one has motion blur, but I love it!)

I COULD NOT get enough of the “Lionel asleep with his bunny” photos!

Pretty cardinal ornament my mother had on her mantel at Christmas

Shiny new coffee maker for Christmas!

Riding to Pho Hoa Bihn with Mallory

Lovely, lovely tofu with pineapple at Pho Hoa Bihn

And those were the first two rolls with my Nikon N80 and Sigma Super Wide II lens!

Conclusion?

LOVE it. Love the camera. Love the lens. The Nikon N80 is the quietest SLR I’ve ever used. You can barely hear the shutter/mirror action at all! And the lens, while a little noisy itself, yields such beautiful results! I mentioned earlier in this post that 24mm is my favorite wide angle focal length. I’m also addicted to taking “details” shots, so having a wide angle lens with the ability to focus down to about 7 inches is a real winning combination for me. I can’t wait to further test both the N80 and the Sigma Super Wide II (and get MORE lenses for the camera!) I’m sold!

*This is a Doctor Who reference. If you get it, you get it. 

**I say “demise” of film photography in jest. I and all the other film photographers are making out like bandits while people sell off their film gear cheap as chips! If you ever want to see how “alive” the film photography community is, just go search the hashtag #believeinfilm on Twitter!

{6×4.5} Long-Term Relationship…An Epic Blog About Medium Format

(This is a long, verbose post about me and my medium format “backstory.”  Feel free to jump on down to the bottom for the camera/photos that are the main focus of this blog, if ya please. I won’t be mad atcha!)

Over the past handful of years, I’ve had my share of flings with medium format SLR cameras. First, there was my affair with the Hassy. It was a brief relationship , but it was a robust one. Our time together was beautiful.

Once I was ready to love again, someone set me up with a Contax 645. I thought this was “the one.” Turns out the Contax was too posh for me – I’m just a humble freelance photographer; I couldn’t afford to keep up with the Contax lifestyle. It was like luxury cars and champagne; I’m more like mini vans and Coke Zero. We did splendid work together though. There was no denying that.

Last year, another Hasselblad came into my life. I knew it wouldn’t be a forever relationship, but I also knew this Hassy and I would have more time together than I’d had with my previous Hasselblad fling. It accompanied me on a few photo shoots. It was even my date to a big wedding I shot! But our days were numbered. And I ended up coming out of my time with Hassy #2 feeling as if, for now at least, Hasselblads are not really my “type.”* It served its purpose in my life, so I felt at peace when we parted ways.


I can’t go long without feeling as if I need to be involved with a medium format SLR though. A few months ago, I decided I really needed such a camera in my life again. I wanted it to be the real deal this time though. I didn’t want it just to be one more short-term love affair.

Several things came into consideration when I was deciding which type of medium format camera I wanted to have in my life. Cost was a major factor. If I were a rich girl, I’d still be with that posh Contax I toyed with a couple of years back.  Another was which medium format format I’d mesh with. That’s because medium format film can be shot in any number of image dimensions:

  • 6x6cm (my most beloved of all shooting formats) – The Hasselblad is a 6×6 camera, as are TLRs, Holga, and Diana. Square format is my absolute fave!
  • 6×4.5cm –  The Contax 645 is one such camera. I love square so much that I had never given the possibility of a 645 camera a second thought. I but I kinda dug it once I tried the Contax. Plus, you get more photos from a roll of film shot in 6×4.5 than you do a 6×6!
  • 6×7, 6×8, 6x9cm – The thing with medium format SLRs is: the bigger the negative size, the more giant the camera (though some rangefinder and “folder cameras” aren’t quite so cumbersome.)  I mean, these SLRs are monstrous things to carry around. Probably best suited for work in the studio (aka – you can set it up on a tripod.) Also, as mentioned above, the larger the negative a camera produces, the fewer frames you get from a roll of medium format film.
  • 6x12cm – Whoa whoa whoa. This is pretty major. It takes medium format panoramics. So that’s darn awesome. HUGE negative. Thankfully, there are some toy-ish 6×12 cameras out there, so I might actually have the ability to afford to play with such a camera one day.

Now. I really REALLY wanted a 6×6 SLR. I started looking around at those, and  Hasselblad seemed to be financially out of the question. But there is a less “popular” (I think “less trendy” would be more accurate) brand called Bronica that seemed to be a little more reasonably priced. And I’m no camera snob: Sure, the Zeiss glass on Hasselblad…c’est magnifique! But if Bronica lenses and bodies are good but underrated (therefore cheap as chips) then I’ll laugh all the way to the bank. I found a Bronica 645 for an appallingly good deal. It’s obscene how cheap these cameras are now, if you ask me.

My Bronica ETRSi came with a non-metered eye-level prism finder, 75mm/2.8 lens, a 150mm/3.5 lens, a “speed grip,” two 120 film backs, and one 220 film back. The good thing about these “modular” camera systems is that you can change film types any time you please if you have more than one film back. So I really got to shoot more than one test roll simultaneously. I had one back loaded with Ilford XP-2 (C-41) black and white film and another loaded with Kodak Portra 160 color film. I swapped between the two film backs/film types at my own discretion. I love modular cameras!

Meet my Bronica – we’re in a committed relationship

I HIGHLY recommend getting a speed grip if you ever find yourself in possession of a Bronica MF SLR. It greatly improves the handling of the camera, gives you a second shutter release button that is better-placed than the one on the front of the camera body itself, makes film advance quicker (a two-stroke advance lever rather than the winding advance arm that comes standard with the camera,) and a hot shoe for your flash. I got especially ecstatic when I realized that the flash shoe on the grip is “hot,” since it means that I can use a flash with my ETRSi without needing a sync cord. I’m so pumped about that!

Speed grip!!!

My ETRSi came with an “all matte” focusing screen. I was worried about my ability to accurately focus, because I’m used to split-image focusing screens. However, all the photos below were taken with the standard, all matte screen, and basically all the photos from my three test rolls were focused beautifully. Before I got my film back from the lab, I was still worried about my ability to accurately focus my photos. So I picked up a split-image screen for a pittance from KEH. Just in case!

It took me several weeks to get my Bronica test rolls up to the photo lab for development. It was soooooo worth the wait though!

Bronica ETRSi • Zenzanon 75mm/2.8 EII • Ilford XP2/Kodak Portra 160/Ilford XP2 shot @ 1600 ASA

I hope to have a very fruitful relationship with my Bronica – it will be my steady date on both professional and personal occasions. Don’t be surprised if I ask my Bronica to run away to England me one of these days ♥♥♥

*I would not kick a Hasselblad out of bed though, if I’m honest.

 

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